F. Scott Fitzgerald in Hollywood :: Biography Biographies Essays

F. Scott Fitzgerald in Hollywood I saw the novel...was turning out to be subjected to a mechanical...art...I suspected that the talkies would make even the smash hit author as ancient as quiet pictures. (Mizener 165) F. Scott Fitzgerald was acutely mindful of the move in the open's enthusiasm from books to motion pictures. This change made Hollywood independent for Fitzgerald as the sole methods for communicating his ability and for increasing suitable acknowledgment, just as the better approach to bring in cash. For F. Scott Fitzgerald, the blend of big name and money related advantages made Hollywood an appealing scene. In 1927 Fitzgerald got his first opportunity to go to Hollywood. The monetarily stressed Fitzgeralds moved out to California when Scott acknowledged a proposal from John Considine of United Artists. While in Hollywood, Zelda and Scott fell into an exuberant social scene. It was during this time Scott met the entertainer Lois Moran. The common fascination enlivened Scott to take a screen test so he could star in a film with her. While Scott never got the chance to act with Lois, he used her to make the character of Rosemary in Tender Is the Night - in any event, including the screen test course of action! Social commitment aside, Fitzgerald buckled down on his content for United Artists. Titled Lipstick, the film was to be structured explicitly for Constance Talmadge, a notable on-screen character of the time. The content was at last dismissed, be that as it may, and the Fitzgeralds left California. A long time later, Fitzgerald remarked on this time in Hollywood, Around then, I had been commonly recognized for quite a long while as the top American author both genuinely and, to the extent costs went, prevalently. I...was partner to the point of arrogance. Hollywood made a major obsess about us and the women all looked excellent to a man of thirty. I genuinely accepted that with no exertion on my part I was a kind of performer with words...Total result - an incredible time and no work. I was to be paid just a modest quantity except if they made my image - they didn't. (Mizener 205) Fitzgerald had formally started his excruciating relationship with Hollywood, which for an amazing rest would at the same time speak to interminable guarantee and endless dissatisfaction. The second time Fitzgerald went to Hollywood was in 1931, under the greeting of Metro-Goldwyn-Mayer who needed Scott to do an adjustment of Red-Headed Woman, a book by Katherine Brush.